Over the last two decades, discoveries made in the field of cognitive neuroscience have begun to permeate the humanities and social sciences.In the context of this intersection, Neurofilmology is a research program that arises at the encounter between two models of viewer: the viewer-as-mind (deriving from a cognitive/analytical approach) and the viewer-as-body (typical of the phenomenological/continental approach).Accordingly, Neurofilmology focuses on the viewer-asorganism, by investigating with both empirical and speculative epistemological tools the subject of audiovisual experience, postulated as Bundle T-Shirt - Mug embodied, embedded, enacted, extended, emerging, affective, and relational.This introduction is divided into three parts.
Firstly, it compares the classic filmological approach of the 1940s-50s with contemporary audiovisual media studies devoted to the analysis CPAP Mask of viewer experience.Secondly, it outlines an epistemological and conceptual framework for the research: in this sense, it illustrates the theoretical model of the viewer-as-organism, and sketches a general outline of audiovisual experience that allows researchers to rearrange different kinds of research within a unitary framework.Thirdly, it briefly summarizes the contributions to the special issue.